Edmonton Opera Blog

Entries from Wednesday, November 28. 2012

Groundhog Day of opera

Wednesday, November 28. 2012

Inspired by the 30-Day Opera Challenge done by Austin Lyric Opera, the staff at the Edmonton Opera have taken on their own 30-day challenge. Each week, we'll post answers from staff members about various aspects of opera, whether it's their favourite aria, an opera house they'd like to visit or their opinion on a genre. We welcome comments about your own take on the question, either on the blog or via social media. 

Which opera would you see countless times?

Clayton Rodney, technical director: Satyagraha, composed by Phillip Glass and libretto by Glass and Constance DeJong. I saw it in New York, and it's hours of my life that I could just watch again and again.

Sandra Gajic, CEO: The Ring Cycle. I've seen it numerous times, all over the world, I've travelled for it, and each concept is so different and uncovers new layers. I will try to make it to Seattle (in August 2013) for their production of The Ring Cycle.

Cameron MacRae, creative coordinator: Satyagraha, more for the music than anything else. I love Phillip Glass and could just listen to him all the time.

Jelena Bojic, director of community relations: (When it was her turn, and two other people had already answered Satyagraha, she quipped that she thought she was being original with her choice.) Each of the acts is about a major cultural person who affected the world, and the music is amazing. Before I saw it, I had four espresso to prepare — it's almost four hours long — but I sat there with my eyes wide open throughout the entire thing, amazed.

Kelly Sheard, grant writer: Puccini wrote an opera, La Fanciulla del West, that happened in the Wild West. I don't know about seeing it again and again and again, but I'd certainly like to see it, as something completely different. 

Mandy MacRae, education and community outreach coordinator: I saw Madama Butterfly at the English National Opera, and the set and costumes were absolutely beautiful. I could watch that one many times.

Ha Neul Kim, company and stage manager: I have too many I'd watch over and over again. Bluebeard's Castle is one. I love it. It's just so different than anything else, and it's amazing. 

Tim Yakimec, director of production: I would see The Tales of Hoffmann over and over again. I have seen a number of productions of it, and I would see it again because of the music, but also because of different director's concepts working on the piece. I have seen four different perspectives and all have been so interesting because of the director's choice for setting and character development.