When I was asked by Sandra at Edmonton Opera to write a blog about my experience in Aida, I feared that I might not have much to say. Well, it turns out that I’ve been writing and editing for quite some time, and I have much to say!
Currently living in Fort McMurray, not only do I consider Edmonton Opera as my “local” opera company, but I am also very familiar with the concept of travelling for work. The principal artists hail from around the world, and I am deeply honoured to be working with them! At every turn they are inspiring me (and making me laugh sometimes, of course). I am finding that I need less sleep, and that I cannot keep from smiling most of each day. I stay longer at rehearsals than I am required to, because this music is exquisite, the process is intense, and I want to soak it all in. Everyone involved is giving 100% of their energy, vision and focus to present Aida with artistic integrity.
Sitting in these rehearsals, I ask myself a series of questions. How can opera not be relevant? How do I communicate to the masses that the stories, although often exaggerated, are about the human condition, about relationships, and are accessible and understandable? How do I describe the sheer power of the human voice and its spectrum of colours that the audience will hear in Aida? How do I tell the story of hundreds of people working from their hearts and minds to bring to you this tragic story? How do I convey the strength of the chorus, the beauty of the dancers, the precision of the music and the incredible visual spectacle that the audience will see? I believe the answer is to invite you to come to the opera with an open mind, to experience the utter magic for which there are no words.
It goes without saying that I miss my husband Mike when I’m away, and there are some lonely times. I am grateful that, although not an opera fan at all, he is ridiculously supportive of my career choices. Thank God, because when I walked out onstage at the first rehearsal in the Jubilee Auditorium, all I could do was throw up my arms to the invisible audience and let out a laugh, especially knowing that in the audience, every night, will be friends and family from Sherwood Park, Edmonton, Fort McMurray and throughout Alberta! This will not be the last time I share opera with amazing colleagues and audiences. In fact, I will go as far as to say that I believe that not only is opera relevant, but that it will become stronger in this generation. I look forward to continuing this amazing journey.
Edited to add: It is production week! The collective energy between the entire team is palpable. If that is any indication at all of what will be created each night when the curtain rises on Oct. 19, 21, 23 and 25, the audience is in for a powerful, visceral experience.
Cara Brown sings the role of the high priestess in the Edmonton Opera's production of "Aida." Originally from Edmonton, she currently lives in Fort McMurray.